Marla

Over the past weeks I’ve been charging up for the Bozeman Open Studios Tour (10-4 Sat-Sun Oct 21-22 2017).  Pop in and see me! I’ll have tour maps on hand, or use the online map.

coloring

Drop-In Hands-On Workshop I’ll be doing a very easy-going drop-in gelatin monoprint workshop. It’s super easy and fun to make an ink monoprint from a reference image, using gelatin as a printing plate. I’ll have it all set up so you can try this 5-10 minute activity if you want. You can make a coloring page, or notecard, or do like I do and just call it art.

pendants

Art Merch! I’ve got new prints, pendants, magnets, patches, wee ditty bags, matchbook sized print booklets, Marla art comics, cards and even a few oddities & cast-offs to purvey, so you can shop for your friends & family, be they geeks, angry feminists, inconsolable peaceniks, or just normal weirdos. (I will also have a few items from the sweeter, cuter, more mainstream side of my personality, which my sister Jana will like.)

FTS

New Originals! If you missed out on the chance to express your feminist outrage through an embellished monoprint from my “Fuck This Shit” series, I’ll have some new ones at a variety of smallish sizes and delightfully affordable prices, while they last. Who knows, I might even have a few surprises lurking around here.

swimsuitOld Originals! Perhaps you’re interested in something On Fire? Or a PINK painting based on vintage photos of women? A Caroline Kennedy figurine or baby doll embellished found-painting? A vintage swimmer? Or that weird painting of Captain Kirk carrying Spock’s head in a basket? They’ll be here, too. I’ll probably be ready to do a little wheelin and dealin on older stuff, so don’t be shy about asking for a discount.

apoca

Sneak Peek at the first few items to emerge from my newest creative outlet, Apocalypta’s Sewing Circle. Give me your input, or buy original embellished clothing if it fits your style and/or your body.

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A while back I had the idea of making a Halloween Advent Calendar, and I got busy this weekend (Sept 30 — nothing like planning ahead!) and did it, start to finish. I wanted to surprise my daughter and her husband with it, because they’re pretty into Halloween, and they usually come over for brunch on Sundays. Okay, so they didn’t get it until October 2. Still a Halloween miracle.

goodman-illustration

Here’s how I went about it.

  • Day one Sept 30: With David’s help I wrote a list of 31 Halloween related images, one for each day of October. It wasn’t easy coming up with the last 5 or 6.
  • I creased a brown paper grocery sack into 36 squares (6 rows of 6). This gave me a couple extra boxes in case I screwed up.
  • I sat down at the coffee table with a pencil and sketched a picture in each square. I went with mice, since I can draw them pretty fast, they’re a rather “forgiving” creature.
    haladvent1
  • Next, I headed down to my art kitchen and listened to several podcasts and comedy recordings while furiously coloring with Prismacolors. I love my electric pencil sharpener. My rate was about five 1.5×1.5″ pictures per hour, so it took 6 hours to do the coloring. (Thank you Patton Oswald, Mitch Hedberg (yes, I know you’re dead), Danielle Krysa and “Sawbones.” You could spend a lot less time and still make something fun!
  • Went back up to the office and scanned my little pics. (If you’re only making one, you could just use the originals and use real life cut and paste skills instead of a computer.)mouse
  • Day two: Found a picture of a spooky looking house and sized it (in InDesign) to fit my final calendar, then printed a reduced version of it on 8.5×11. (easier to draw and scan than actual size)
  • On tracing paper, I semi-traced, semi-reimagined the house image lightly with pencil, planning in 31 window spaces. Then I inked it with India ink and some messy washes. (I was short on time, but I’m cool with the way my super-fast house came out.)
    house-ink
  • I would have scanned my house drawing, but who has time for India ink to dry? So I took a photo of it with my phone and placed it in an InDesign document, sizing it to fit my final calendar sheet. (I added a brown paper texture and green tint in PhotoShop.)
  • Next, in InDesign, I sized and placed my little brown bag illustrations on top of the windows in the house drawing, bearing in mind I wanted my illustrations just slightly larger than my windows.
  • After I had them where I liked, I duplicated that “guide” page in the InDesign doc twice, so I had 3 copies in all.
  • On copy 1 of the page, I kept the little illustrations, but deleted the house.
  • On copy 2, I deleted the little illustrations, kept the house, and placed the numbers 1-31 on the windows.
  • I kept my original page (copy 3), with both the house and the little illustrations, to print as a cutting guide.
  • Finally, I printed all three pages, one to be the outside of the house, one to be the illustrations that are seen when the windows are opened, and one that I made into a cutting guide so I could get the window slits in just the right places without marking up my house. I printed two different sizes. I checked my placement on a small printout before using our fancy 13×19 printer.
  • I made a cutting guide for each size of calendar. On it, I decided how the windows would open, (left, right, up or down) and marked the appropriate 3 edges with a contrasting Sharpie (now I can re-use the jig without stopping to think about each cut).IMG_8595
  • I placed the cutting guide over my final house page and taped it to the cutting mat so it wouldn’t move while I was cutting. It goes faster if you cut all the lines in one direction first, then go back and do all the perpendicular lines.
  • Finally, I used double stick tape to adhere “illustration” page to the “house with windows” page, and punched some holes to hang it with. (Obviously, I only put the sticky tape in areas where there weren’t any windows.)done

Boom! It’s a Hallowadvent calendar. If you want me to make you one of these, hit up my “cute stuff” Etsy shop, Goodwerks. It’s OK if it doesn’t get delivered on Oct. 1, because you get the fun of opening more windows when it arrives!

Happy October!

My “Pink” painting series will be at Wild Joe’s Coffee Spot, 18 W. Main, throughout September 2017, with an “artist hangout” (i.e. super chill reception) during the Friday, Sept 8. However, these extra special “FTS” pieces (and some other surprises!) will be on public display only during Bozeman Artwalk 6-8pm Sept 8. Here’s a secret link for anyone who might like to purchase early: https://www.etsy.com/shop/Kitschatorium

This is a sneak preview of my “Pink” series, which will hang at Wild Joe’s Coffee Spot, 18 W. Main, throughout September 2017, with a reception (ok, more like a hangout) during the Friday, September 8 Downtown Bozeman art walk. They are available for purchase beginning Sept. 1 and available for pickup the first week of October, after the Wild Joe’s show closes.

I’m posting these images for press reference. Press can use these images (with artist credit Marla Goodman) online, or if you want a high res version for press use, please contact me through my contact page.

Artist’s Statement: Pink Statement – Goodman

Additional works will be on display only during Bozeman Artwalk Sept 8. Secret pre-display link for early purchases: https://www.etsy.com/shop/Kitschatorium

This was David’s and my first date.

You’ll need some gesso and a flat piece of plastic. I cut mine out of a peanut can lid! Ideally, your tool should have a straight edge and rounded corners.

I’m not sure if this is a well known technique, or if it’s new to some people, but using a piece of plastic to apply gesso (or background color) goes quickly, saves paint, and leaves a nice, smooth surface. If you don’t have a piece of plastic, a piece of sturdy mat board or a credit card can work. …Or real squeegee, I imagine.

I learned this from my first painting professor at Montana State University, Hal Schlotzhauer, and I use it whenever I need to quickly cover a surface with a thin coat of paint or gesso. It’s especially handy when I’m painting flats for plays and I’m pressed for time and materials.

In this video, I’m covering a canvas with gesso that I’ve tinted with pink acrylic paint. I use my finger to smooth the edges. When I’m done painting, if I don’t frame, I use a printmaking brayer to paint the edges whatever color I want.

I could add another coat and sand lightly with fine sandpaper for an extra smooth surface, but in this case I’m not too worried about perfect coverage, and they’re pretty smooth without any sanding.

Just now I did six canvases in less than 30 minutes, with practically no waste. I used about 1/2 cup of tinted gesso in all. (The canvases already had one layer of gesso on them)

 

 

 

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For this week’s Rest Home art project, I tried Jen Goode’s Coloring Page Sun Catcher.

I’m always on the lookout for interesting projects that are doable in 1 hour for people with various age-related challenges, and this one seemed perfect: Residents get to make choices, it’s small enough that it’s not too exhausting, and there’s a fun surprise at the end.

To begin with, I downloaded some relatively simple mandala coloring images from a few “not for commercial use” sites and sized them to fit wide-mouthed canning jar lids (3.25″). I got the lids in the canning section of the grocery store, and they cost ~$6 for 12 lids.

Ahead of time I printed out the coloring art images on regular printer paper, and cut them into individual squares to offer choices for participants to select from. (Here’s a PDF) canning ring art

Materials I brought:

  • Coloring art print-outs
  • Colored pencils
  • A few small pencil sharpeners
  • Canning rings (3.25″ wide mouth size)
  • Salad oil in a baby food jar (I put a drop of lemon oil in to make it smell nice)
  • Portion cups or small jar lids – for oil dipping
  • Cotton balls for spreading oil (facial tissue would also work)
  • Small paper plates
  • Sticky dots (tape or glue would work)
  • Scissors
  • Baker’s twine

First I showed everyone an example of the finished sun catcher. Then friend/volunteers (and the awesome Gallatin Rest Home activities staff) helped to pass out materials and assist residents as needed. I brought some cans and we gave each resident a selection of pencils in primary and secondary colors.

Each resident selected an image and got busy coloring. Some asked for a little help to finish, others completed the job on their own.

After coloring the pictures, the participants cut out their circles and set them face down on a paper plate. We passed out a small amount of oil and cotton balls, and they rubbed the oil onto the back of the paper, making it translucent.

We adhered the circles into jar lid rings with sticky dots (glue or tape would have worked) and tied on hanging strings.

This was a quick, easy-prep project. Participants enjoyed themselves and felt very successful! Thanks to Jen, volunteers Lynne and Emi, and Rest Home staff!

These are some gelatin block monoprints I’ve made using reference images. For the skull and the cat, I used background textures created with stencils.

I learned gelatin plate printing while developing art workshops for senior citizens with physical and cognitive challenges. It’s easy and fun, and there’s lots of info on the web. I used the resources of gelatin gurus Linda Germain and Sharon Giles.

While experimenting, I found that one of my favorite techniques involves hand-painting monoprints using a reference image. I made a tutorial video to help others try it:

In the video, I didn’t go into detail about building the hinge jig: Basically, I made a little foam core platform so that my paper was flush with the surface of my gel block. Then I taped an additional piece of foam-core on, to align with the top of my printing paper. This functioned as a “masking tape hinge holder.” (Depending on how big the paper is, you’d just line up the hinge-holder with its top, and tape it down.) You can also just use a masking tape hinge and skip all the foam core fuss—whatever works!

Of course you need a GEL PLATE RECIPE Gel Plate Recipe Steps (PDF)
(Again, thanks to Linda and Sharon for their resources. They really know this stuff.)

Below are steps for a rest-home art project using a simple image. I practiced with an image I found on the web (sorry I couldn’t locate its original source to credit). Click on the first image to arrow through.

UPDATE: Here are some pictures from the Gel Plate workshop I did at the Gallatin Rest Home in May, 2017. The residents loved this activity and were very successful.

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Hey, don’t talk about my friends and family like that! They are too a step up from mimes and improv performers. They’re puppeteers.

This year’s adult puppet show at Bozeman’s Verge Theater will be Fri-Sat May 12-27 2017. The show, written by comedian Ryan Cassavaugh, is called “Freak Out.” It was described to me as “a hippie blood cult B-movie musical.” So it’s got that going for it. Among a talented cast of actor/singer/puppeteers, my daughter, Wren, plays the part of the cult-leader’s daughter. Proud moments in parenthood!

I was asked to help with props, so I said yes to painting a police car and two motorcycles. Little did I know that this didn’t mean just the gas tank (easy!) it meant the motorcycle chassis: not a thing I felt overly confident about.

Here, puppeteers Pol Llovet and Ryan Lawrence Flynn experiment with their motorcycles-to-be, after cutting out plywood shapes in the back room of Sadie Cassavaugh’s frame shop (Frugal Frame Shop). Somehow they’re planning to add a front wheel, Easy Rider style. You’ll have to go see the show to see if they pull it off. 😉

(crew photo courtesy Ryan Cassavaugh)

These were some really rough canvases – made from a “canvas” drop-cloth, actually – so gessoing was the hardest part of the job. Paint doesn’t cover well on a rough surface, so I decided that a rough, painterly look was fine. I didn’t get too fussy with it.

The Police Car was really wide, but the sides were short, giving it a clown-car-like appearance. Appropriately.

Here’s what the motorcycle chassis looked like, unpainted.

First step was to paint all surfaces black. The laminate surface was smooth, so it only took a pint of “cheep” acrylic to cover all 8 sides. (It took just under a gallon of gesso to cover the three car canvases.)

The next step was to paint a bunch of mechanical looking doodads in white and bluish silver.

There were two sides of two cycles to do, so four sides in all.

Whew! I was glad I got them done early enough that the cast could rehearse with them. I am dying to see what the show looks like on stage!

Show times are 8pm Fri-Sat May 12-13, 19-20 and 26-27 2017. Tickets can be purchased in advance on Verge Theater’s Ticket page, or at the door while they last. The comedy is intended for mature audiences.

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I’ve been working on a series of paintings for a show at Wild Joe’s in September, and I stopped to experiment with some of my under-painting in a series of anti-trump, feminist greeting cards.

It started with some basic ideas: (These are all available on Etsy):

Then I thought it would be cool to do a full 4-card set of notecards:

I added a needlepoint look to these, to add that revolutionary flair.

Then, one of my friends suggested that I instead use the art for a Mother’s Day card, hence the birth of the “Smash the Patriarchy and Happy Mother’s Day” card.

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